The Battle Over Electronics

I am a big gadget freak and in many respects, a hardcore computer nerd. I know quite a bit about computers and customize Windows pretty easily. Since my switch over to Mac this past summer I have become increasingly interested in different sorts of technology articles talking about stuff for the Mac. Essentially I am trying to become as geeky on it as I am on Windows. During this process I have noticed that there appears to be a very high level of divide over the PC vs. Mac world.

In almost every single discussion I have looked at online that discusses the merits of either system, there are inevitably users from the other camp who seem to feel the need to overzealously hype their system of choice. You get you obvious claims of "Man Windows sucks, M$ is just trying to take your money", and on the other side "Apple computers are over priced and no one uses them".

This sort of divide does not just exist in the computer world, but I think spreads to the electronics world in general. You see these same tensions in the Video Game market where people devotedly tout the PLAYSTATION 3 (yes, it is supposed to be all capital letters) over the Nintendo Wii or the Xbox 360, or the iPod over the Creative Zen and Microsoft Zune. If you think about it, you don''t see this problem on other markets of the economy. I have never seen a Nissan owner get onto a message board online yelling at people about how stupid their Ford is. I have never seen a guy at Burger King shout at a McDonaldÂ's customer that they are an idiot noob who has no sense in taste. Have you seen a person in Best Buy making fun of someone because they bought the Kenmore refrigerator instead of the Whirlpool? So what is the deal with these people and the need to claim superiority in the electronics market? What makes people so zealous over electronics and not other products?

Since my switch to Macintosh, I will honestly say I love it and I do think it is better then Windows. That all being said, I am not going to go out and bash Windows or claim it has no place or value in the market. I use Windows at work and the integration that it has with Microsoft Exchange servers, FTP, and other office platforms is very impressive. I previously used Windows for my music creation and there are a lot of independent developers that are making great software for the platform. Why can'?t then multiple competitors exist in electronics?

I suppose the point I am trying to get at here is that there does not need to be this battle between factions in the electronics world for products. The competition between people forces the market leader to try to improve them self. Could we say that the video game market would be better if Microsoft didn't enter the fray with the Xbox and Xbox Live, or if Nintendo suddenly disappeared? Would the computer world be suddenly better if Mac OSX didn'?t force Microsoft to improve upon Windows or of Linux didn't force competition in the business and server markets?

I suppose my point here is that McDonalds is McDonalds, and Burger King is Burger King, but in the end they are both still hamburgers. Let people use what they want to use because everything has its own merits.

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A Little Music on the Way

This past weekend I had the opportunity to start some music writing again. I honestly have to say that the endeavor was not very successful. I made some interesting sounds here and there, but nothing that really stood together.

I am also currently looking for some software ideas to begin a little work on my laptop. Since I am not commuting to and from class this year and will being commuting to and from work within the next two weeks I have a lot of small junks of free time. Almost no time will be spent at home at my gear.

I got to say I am not sure really where I want to go with this. I was at first going to explore .:Gleetchplug:., but unfortunately it is no longer freeware and version 2.0 is not out yet.

I am now looking at a few of the audio programming languages such as .:Impromptu:. and .:Chuck:., but I don't know if that is the direction or commitment I want to take.

Ideally I would like to get something like Nanoloop for my laptop. Maybe such a software doesn't exist?

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Massive Galactic War Started in Eve Online

This post is totally not related to music and any such way, but I have always been infactuated with online worlds and their increasing ability to mimic our real ones. (You have to read the series .:Otherland:.)

Reading the posts on the gamer blogs today it appears that two of the largest alliances in .:Eve Online:. have declared open war upon each other. For those who don't know, Eve Online is a massively multiplayer online game set in space. The size is pure mind boggling and the entire system plays on a single server farm.

Anyways, one of the alliances has secretly completed the first ever Titan ship in the game. Apparently you can't just buy one of these but you actually have to physically build one and it took them eight months and over 168 billion in game money.. How freaking cool is that?

.:Kotaku Link:.

9,000 players have been pulled into the conflict as simulated worlds begin to mimic real life in complexity and method. ASCN (one of the factions) tested a doomsday device as and mistakenly hit a lot of their own ships in the process. There is a video of the device going off in the link. Rumor has it the other alliance may have a doomsday device as well, but no one knows.

The whole concept of a simulated world being able to support the complexity of something like this is truly amazing. Politics, economics, markets, etc all supported in a game. I personally do not play the game, but the shear notion of this all happening without coercion and without falling apart into a mess is astounding.

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So where have I been?

So many of you have probably wondering where they heck have I been? Well the last semester of school started and it is a pretty cruel one with my thesis wrapping up and all sorts of other issues piling on top. One great news event however is that my Capstone Thesis, that I have been working on for the past six months, is finally finished. I am just waiting for final approval, but I should hopefully hand it in on Monday and be done with it.

I am starting to get onto the last leg of grad school which I am very much thankful for. Things are beginning to change and I probably have a job lined up for after graduation. I begin working with the new company in the middle of October part time and with any luck it will become full-time after graduation. I think the ball really rests in my corner for this.

I will hopefully have some more free-time now and I would love to get out and begin performing some live music once again. It has been over a year since I last performed and since the release of my new net-album .:Colored Faceless:. I have a lot of material that I would love to get playing again.

I will hopefully try to get post my thesis online for everyone in case you are bored enough to actually read through forty seven pages of material.

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Colored Faceless

Colored faceless is the new album from Dynamic Interplay created with the mindset of minimalism and simplicity at its core. The music has been stripped back to its core sound and was composed live “as is” with only three pieces of gear and minimal post processing.

Download

Tracklisting

  • The Light in Your Eyes
  • Be Still
  • Finder Fip Top
  • The Chinese Connection
  • Light Waves
  • Flutter By
  • Raging Bull
  • The Tranquility Alternative
  • Caught on a Rainbow

All Tracks (c) Matthew A. Supert 2006 unless otherwise noted. All work including music and artwork is released under Creative Commons sharealike license 2.5. For more information please visit the .:Creative Commons 2.5 Deed:. for this webpage.

Colored Faceless: New Net Album for Free Download

Colored Faceless
Colored faceless is the new album from Dynamic Interplay created with the mindset of minimalism and simplicity at its core. The music has been stripped back to its core sound and was composed live "as is" with only three pieces of gear and minimal post processing. Download the entire album .:Here:.

Tracklisting
.:The Light In Your Eyes:.
.:Be Still:.
.:Finder Fip Top:.
.:The Chinese Connection:.
.:Light Waves:.
.:Flutter By:.
.:Raging Bull:.
.:The Tranquility Alternative:.
.:Caught on a Rainbow


Artwork
.:Cover Art:.
.:Insert 1:.
.:Insert 2:.
.:Insert 3:.

All Tracks (c) Matthew A. Supert 2006 unless otherwise noted. All work including music and artwork is released under Creative Commons sharealike license 2.5. For more information please visit the .:Creative Commons 2.5 Deed:. for this webpage.

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The Electronic Renaissance Part VII: The Artists

The following article is part of an eight part series exploring my thoughts on the state of electronic music in the current decade compared to the 1990's and 1980's.
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Perhaps the number one reason for the state of electronic music as it exists today is because of the artists. In short, I think we have become lazy, complacent and shallow. We have been presented with one of the rarest opportunities in the history of music: the personal computer and the internet. We have the cheapest tools ever and the largest audience possible and we have failed to take our genre to the next level.

The very problem with the artists could be the sheer fact of the masses now involved in music creation. Just about any shmoe can go out, get a computer, download some software and make music. While this is fantastic on many levels it is also horrific to the artisan community on other levels. As with any mass effect in culture, mediocrity is the mainstay of the masses. In this respect we have a dual effect pressing down upon the electronic music community to create predictable mediocre music. More and more artists from the mass population, which have mass culture aesthetics for music, are entering the music creation scene. Their aim, as artists, is to perpetuate the status quo of the current sound, the sound which they like at the moment. While more and more people are coming to the table to play, new ideas are not following to that same table. Those masses that are entering the field are bringing the same ideas as currently exist creating the mass media effect of a self perpetuating cycle of recycled music folding in upon itself. Case in point: how many artists online have you heard say; "I just want to make banging dance tunes!!!" Well making a banging dance tune is great and all, but what do banging dance tunes do for the growth, innovation and maturity of the scene and its music?

Many readers at this point may think I am a pretentious elitist ass, but I ask you, especially the producers out there to think for a moment about the reason you make music. I don't expect everyone to go out and change the world or make a new sound with their music, but if all you want to do is "Make a banging dance track", why donÂ?t you try to create a fresh new sound or idea rather then post online asking people "how to I re-create this Ferry Corsten lead for my banging dance track?"

Other Chapters in this writing:
.:Part I:The Decade That Should Have Been:.
.:Part II:Where Electronic Music Was:.
.:Part III:Who is to Blame?:.
.:Part IV: The Sound:.
.:Part V: The Tools:.
.:Part VI: Internet:.
.:Part VII: The Artists:.
.:Part VIII: The Birth of the Renaissance:.

Stay Tuned for Part VIII: The Need for a Renaissance


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The Electronic Renaissance Part VI: The Internet

The following article is part of an eight part series exploring my thoughts on the state of electronic music in the current decade compared to the 1990's and 1980's.
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One of the other largest contributors to the problem of stale music is the internet. The internet has afforded artists with one of the most crucial distribution and networking tools ever to be seen in the world. It was the hope of many (not just musicians) that information will disseminate freely, folding in upon itself to create more ideas and information, and while on many levels that has occurred, there are plenty of examples of information converging under what I like to call the "Lemming Effect". In the Lemming Effect uninformed persons make decisions based on the most popular information present. From this they simply add to the majority opinion and perpetuate a false sense of superiority, squeezing out minority points of information and strengthening the majority's point. Going back to my previous example with the music .:message boards:. and the software recommendations we can plainly see this occurring. For example's sake lets look at one of the most common questions I see on messageboards online: What synth should I use?

A user will log into a board asking what synth plugin they can use to create a trance lead. They get bombarded with recommendations for Z3ta, or Pro53, or Vaz. They download the plug in and use it haphazardly joining the majority opinion often times without exploring other options of synths they could use and they then become ingrained in the cycle of the "Lemming Effect" hence forth haphazardly then recommending that synth to every other user who asks for insight. What is important I think in this point of view is not the fact that they chose Z3ta, often times there are good reasons why certain pieces of software are highly regarded, but that they chose Z3ta without trying alternatives.

Surprisingly one will find while on music discussion boards online that users will not only advocate the decision they dove into, but even criticize the options they did not even bother trying when they find themselves on the advice giving end of the equation. One such instance occurred several months ago on a discussion board that I participated in regarding Apple's Garageband.

Someone posted a question asking how good Garageband was for music creation (software only). Several users immediately posted replies stating how it was a terrible program based around loops and that it did not amount much more to eJay software that has no music creation or editing capabilities. Being an active member of this board I knew many of the members who posted and nearly all of them were Windows only users. Their experience with Garageband was non-existent, yet based on their software decisions (in this case it was Fruityloops which held approximately a 90% share on this board), they blindly ridiculed the software based on their perception of it. After being confronted in the post by me they admitted that they had in fact never used Garageband before and were basing their recommendation on their own personal perspective of the software.

While specific motives for this reaction to the software are unknown to me, I believe their reaction was a prime example of the "Lemming Effect".


Other Chapters in this writing:
.:Part I:The Decade That Should Have Been:.
.:Part II:Where Electronic Music Was:.
.:Part III:Who is to Blame?:.
.:Part IV: The Sound:.
.:Part V: The Tools:.
.:Part VI: Internet:.
.:Part VII: The Artists:.
.:Part VIII: The Birth of the Renaissance:.

Stay Tuned for Part VII: The Artists


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