Matthew Supert

If you have been following the gaming news as of late, everyone has been talking about Space Marine 2. I picked it up about two weeks ago, since I am a big fan of the world building. I beat the game last week so, let's talk a little bit about my thoughts. 

Overall, I had a decent time with this game, but I am not quite sure it lived up to the hype that I am seeing online about it "harkening back to an older time in gaming". The campaign was probably 15 hours or so for me to beat. It was fine and a decent linear romp, but if I am being honest, it felt very much like a less rushed Warhammer Vermintide, with just a little bit more ammo. 

The waves of enemies that are thrown on screen at you are cool the first couple of times they happen, and the opening chapter sets a nice tone for the game. By the 30th time it happens though, I just sort of got bored with it. I guess that sorta goes for the combat in general for me as well. Executing a well timed counter results in a cool cinematic, but when you see it for the 60th time, it doesn't continue to impress. I also found the combat a bit frustrating at times because the armor/health management and recovery is not satisfying as it should be. Too often I found myself overwhelmed with crowd control, while simultaneously getting rocked by a ranged attack somewhere offscreen that I couldn't see. 

Bigger enemies just took way too much to whittle down before you could get the "execute" option and the returned armor/health almost never made up for the damage you took to get in close enough to melee them. 

I also found the game surpassingly devoid of combat puzzles through the campaign. There were a couple of instances of holding some zones to open a gate, and one fun instance in the PvE multiplayer where you had to enter some glyphs to attack a drake, but that was kinda it. And also, if this was such a throw back feeling game, where was the obligatory vehicular run and gun sequence?

Overall I felt everything just kinda felt boring and samey at the end and even when the Chaos Marines finally showed up, their tactics and enemy types were almost exactly the same as the Tyranid. I'll leave my final single player thoughts with the fact that I also kinda hated the main character you played as. He is a terrible commander, and that would be fine if not for the fact that they try to redeem him with this camaraderie ideal right at the end of the game. I hated Titus and there were multiple times in the game where he chewed his squad out for making poor choices, but then he deliberately would not divulge mission critical information to them. 

Multiplayer also leaves me really wanting. The PvE chapters are fun, and the concept of having you play as the "B Team" in parallel to the main story mission is a brilliant idea. However, they still have that Vermintide feel to them for me, and out of the maybe dozen sessions I've played I have yet to matchmake with a full party. PvP also is just middling. While it does bring back a Gears of War sort of feel, I don't think I'm fully grasping the combat translation from single player to the multi-player. For example, I cannot for the life of me figure out how to be effective with melee combat in PvP and similarly, does the counter/parry system work at all? I haven't seen it trigger at any point. I believe there are only three or four maps too. On top of all of that the load out customization appears to be different between multiplayer environments? Why? 

Overall, fun game, but I don't think I got a fully $70 worth out of it.  

I’ve been playing Baldur’s Gate 3 for the past month or so, since it came out on the Xbox. People have been praising this game since August so I was pretty excited to get into the game. I am a huge D&D and TTRPG fan afterall, so the prospect of bringing that to a videogame seemed pretty exciting.

I’ve just hit Act 3 this past week and I think I am about 60-70 hours in. If I am being honest, I dont think I like this game very much and it almost entirely boils down to the combat.

But before we really get into that, let’s talk about some other things in the game that just don’t seem to connect with me. The game is very heavility influenced by the actual D&D roleplay mechanic system. Unforuntely, that brings all of the similar trappings that come with playing D&D, but without the benefit of having the ability to get contextual information or clarification form your dungeon master. Roleplay is probably my favorite part of D&D and Baldur’s Gate on the whoile does a pretty decent job of this. However, it obfuscates the skill checks and rolls in most roleplay or social situations. I very often will find myself in a conversation which results in a roll, but I have no way to know which character may be most appropriate for the situation or context. Furthermore, when a roll like Persuasion is required I have no idea what the stat for the chracter that I have select is. If the game didn’t explicitly have a dice roll in these situations, I probably wouldn’t care, but if it is going to show me that actual roll, every…single…time at least let me see what my modifier is before I select that as a dialog option.

Contextual clues are the biggest frustration I have with this game. There have been way too many situations where I am walking around the world where combat will just suddenly start, or worse yet, I think it will, and it doesn’t resulting in a conversation that has to preempt combat. Just today I wrestled with a combat scenario against some Githyanki in a hidden library. I must’ve run this combat 6-7 times. After getting obliterated the first time I tried to sneak and get surprise on the enemy for an attack. every single time I would get a spell off and then the conversation would trigger and then waste the concentrate or spell I just cast. I had a nearly identical level of frustration with the combat that occured at the entrance of the Moonrise Towers in Act 2.

I basically had to “cheese” the combat to get an upper hand due to the action economy. Almost every combat has significantly more combatants than your party.

Let’s continue our conversation though on that Githyanki fight and the way it was structured. There were two portals on the sides of the room, summoning in more Githyanki each round. Those portals were placed just sor perfectly to be out of reach of any of my spells like Fireball, etc. This is frustrating game design, because it is almost impossible to know that those exist until you fail at a first attempt of combat. There was no way going into that room to know how to position my characters and accommodate for that specific setup. So many of the combat encounters have this same sort of thing and it is just driving me away from wanting to continue to play.

Let's take a look at my year in gaming on Xbox. I am a bit surprised at this to be honest. I had no idea that I played 43 games. Deep Rock was definitely my most played game this year. I am surprised at my hours for Starfield. I cranked through that game in a couple of weeks and enjoyed it, but fell off pretty hard after the first ending. I didn't make to any subsequent NG+ games. 

This past week I have been knocked out of commission due to a nasty head cold. I unfortunately have never been able to "nap" so I have be stuck on the couch, cleaning up work emails and trying to find something else to pass the time. Too tired to read or engage my brain in any real creative activity I decided to give the recent Gamepass release Pentiment a go, and boy did it hit the right spot at the right time. 

Pentiment is a text based murder mystery game focused around 16th century Bavaria, the Catholic Church, and the Holy Roman Empire. The adventure takes place in the town of Tassing where you have to first investigate a murder at the local abbey. The murder mystery has you as the main character going around the town, looking for clues and interviewing people in the town. All standard "your choice affects the world and people" stuff we have seen in many games. 

What really sets Pentiment apart though is the atmosphere. First the game's art style is a wonderful hand drawn and there is almost no music in the game, with the exception of two notable instances in my play through. It came to be incredibly relaxing while laying on the couch sick. 

The other thing that really caught me about this game is how it built this sense of family and community. The game is really about the people and the families of Tassing. There are three acts in the game that take place over twenty years and through each act you see families grow, some members pass away, and others get married to each other. It was touching and it really grounded me to the characters to see where they have come and where they were going. Finding out that someone from the first act had passed away really struck me emotionally as I needed to delicately navigate how to inquire about the circumstances of what happened the seven years I was gone. 

This was the late 1500's after all and times were tough. Political and religious struggle was bounded by the plague and class warfare and that is reflected in this game. It all came together though in the third act as the game culminates on Christmas Eve. All of your choices an all of the lives of the characters in the game come together on the Christmas Eve celebration at the local inn. All of the townspeople are there and there is this brilliant moment of cultural community that is brought together that just really touched me from a storytelling perspective. That pure sense of community and despite all of the hardships and tragedy that have occurred to the characters in this game, they all soldiered through it together, as a community.

The game can be a bit hard though to get invested in, especially if you aren't prepared for the amount of text you need to parse through. Additionally, there is a beautiful element many of the character's text in the game is different based upon their profession. For example, the monks at the monastery have text bubbles in a gothic font. The local printer has his family's text in a print font. This is a great touch, but can be a bit hard to read at times. Thankfully, there is a "simple font" option for those who want to turn it on, but the game does lose a bit of charm there. 

Also, the other minor fault in the narrative flow is that the game doesn't always give you a good indication of how much interaction and time you have between the scenes. There were multiple instances where I could have interviewed more people, but didn't realize my current interaction was going to progress forward the clock. That was not telegraphed very well early on. 

Overall though, such a wonderful and touching game and I think I might play it again to see how the story changes with different dialog choices and different interactions. Check it out if you are looking for a nice, slow paced game.

Every once in a while I come across a game, a book, a movie, or whatever that absolutely hits me emotionally. More often than not, it hits me in such as way that I had no idea that it was coming. Deadhouse Gates did that to me for books and Blade Runner did that to me for film. Off the time of my head I cannot say that I have been hit so emotionally before by a video game, at least in the sort of emotion that conveys sadness, melancholy, and resolution. 

Spiritfarer is that game for me. An incredibly gorgeous 2D side scroller that has you playings as a Spiritfarer, an entity that guides lost sprits to the Everdoor and to whatever lies beyond. I want to make sure that I convey this game to everyone and its impact without spoiling it, because part of the charm and part of the impact that to conveys to you is the story that unfold as you shepherd souls to the Everdoor. 

The Everdoor is a gate, and quite literally the gate to the afterlife, which lends one to ask, where does the game take place? It doesn't take place in the "living world", as it is made clear to you from the outset that not only are the inhabitants, but you too are in fact deceased. I would guess then that the world is a sort of purgatory or waiting room for the next life. Your job is to help the individuals you come across put closure to their lives and help them pass on.

It all sounds rather dark, but it is wrapped up into a beautiful Animal Crossing style package that presents to you whimsical and loving characters who are all represented as various animals. Keeping on the Animal Crossing theme a bit, there is a community building aspect to the game where you have to gather resources and build your residents homes. 

Where the game really gets to me though is in the story moments, the small snippets of dialog that occur between the Spiritfarer and the various inhabitants. You get a touch into all of the character's lives as they reflect upon their successes and failures when they were alive. It is very touching and each time when you finally shepherd your inhabitants to the Evertdoor to say their final farewell, the moment is bittersweet each time. What makes the game so good though, is that they are able to make each characters goodbye mean something. Some of these characters are easily lovable, while others were no necessarily good people during their life. They were mean, perhaps criminals and sometimes dishonest and failures. In the end though, the characters all seem real based upon how they approach their final moments at the Everdoor based upon all of their past life experiences. Some of them are grateful, some are relieved. Others view the experience with resolve or even outright indifference. It seems true either way and in the end the game tells you in no uncertain terms that the time will come for all of us to eventually say goodbye. It is sad, sometimes tragically so, but it is a lesson that we all need to confront eventually in our lives. 

I came out of this game really reflecting upon the experiences and time you get to have with everyone around you and there were times as I played this game, watching the Spiritrarer say goodbye to a companion, and I had to pause in the reflective and quiet moment. It makes you want to hug that loved one you have nearby because sometimes you never quite know when goodbye comes. 

I have discovered a really incredible game this past week on Xbox Gamepass called Night Call. It is sort of like a illustrated narrative game, where you play a taxi driver who is driving a night shift through Paris. Each night you pick up passengers in your taxi and listen to their story and ask them questions. Occasionally, you will have to spent time and money investigating clues related to a serial killer who is loose in the city and whom you had run in with at the start of the game. 

The game is mostly black and white with hints of color placed throughout the game. Definitely a "Noir" design, the city appears to be cold, dark and always raining. It is such an interesting game and a huge change of pace to many other games I have played right now. There is no combat in the game, nor is there really even any conflict. It really is just a story playing out with your investigation and which you make choices in those conversations. I wouldn't call it a light game though. The mood and dialog is very dark and intense. The elements in the game deal with very adult themes as well. 

If you can, definitely check this game out. It is not like anything I have played before.

Quarantine time has led to me being able to play some video games and catch up on a bit of my backlog. This past week I finally had a chance to get back into Gears 5 and finish off the single player. I have never been a huge Gears fan. I played both 1 & 2 and finished neither of them. They felt a bit too "dude bro" for my tastes. This past fall I decided to give Gears 4 a shot, as it was on Xbox Gamepass and I had a pretty decent time with it. The gameplay seemed fine enough and it wasn't too long, so I played through the story and was at least engaged with it to give Gears 5 a shot. 

I started playing Gears 5 when it was released this past winter, but only got about three hours into it before I fell off. Oddly enough, I did put quite a bit of time into the multi-player. game, namely the Horde mode. It has a nice, mindless element too it, but I didn't realize right away the the 50 rounds of horde mode can take upwards of almost two hours. That is quite a commitment to one game with teammates. 

I jumped back into Gears last week to see if it would hook me again, and I have to say that I enjoyed it about as much as I did with Gears 4. It was a fun romp, but it didn't really spark any passion for me. There was one really nice emotional moment that came near the end of the game, that was a bit of a surprise. So much so in fact that I actually played through that section, completed another hour or so of the game and then decided to go back and play that section over again to change my decision. 

The ending of the game seemed fine, but it did give a nice sense of "hopelessness to the story that I wasn't expecting. Will I played Gears 6 to finish off this section part of the trilogy? Yeah, probably, but only because I am a Gamepass subscriber.  

TrueAchievements.com has a cool little summary of a users' past decade on Xbox. It is a cool little insight into my past decade playing Xbox. I am a bit surprised that I have been playing for ten years on Xbox to be honest. I actually think I picked up my 360 back around 2009, and that data is just this list. 

So take a look at this cool little infographic. 

Xbox Game Pass has been a really cool service that I have been taking advantage of lately. It is sort of like a Netflix type service for Xbox, where a library of games is available for you to play for $10 a month. One of my most recent plays was Quantum Break. This game really surprised me. At the time of its release it caught a lot of flak and didn't seem to get very good reviews. 

Microsoft tried to do something interesting with the game, mixing live action "TV Episodes" that aired on a weekly basis to build upon the story. The idea is that decisions in the game would influence the live episode the next week. I'm well past that point, but the overall execution worked out pretty well in my opinion. 

What really blew me away though in Quantum Break was how well they told a time travel story. The logic and science behind their methods to tell the story made complete sense and didn't cause any sort of paradox problems within the story. In fact, if you think about how they executed the ending, the whole foreshadowing throughout the entire game continues to be consistent, even if you did "defeat the bad guy". It has to be one of the better sci-fi uses of time travel that I have ever seen.