Heilung - What a Great Show

Megan and I went to a great concert last night to see Heilung. Heilung is a sort of folk Scandinavian pagan band. I discovered them on Youtube about a year ago by accident. They were somehow recommended to me through Youtube's recommendation system, and I stumbled into watching an entire concert by them. 

They are doing their first US tour right now and Megan and I jumped at the chance to see the show. We thankfully got tickets and they sold out very quickly. So fast in fact that the show changed venues from the Vic to the Riviera Theatre. 

So the show was a 7:30 show and Megan and thought we would get there early, around 6:00 to get in line. Little did we know, the line extended around the block on three sides. Thankfully we got in pretty early and Megan grabbed some fantastic seats in the balcony. 


So the show started, and it was just as good as we hoped it would be. So enough of all the description, I'll just post some photos and videos. 

Want to hear more of Heilung? Here is the video that I originally saw them on: 

You can also check out their music over at Bandcamp. https://heilung.bandcamp.com


I Really Hate Sample Management

As most of you know, I have spent the past year changing out my music setup. I have finally put away my EMU Command Station and Korg EMX-1 into storage. I just haven't found any inspiration with them. In the meantime I have really tried to put some time into the Synthstrom Deluge. I have really had some mixed success get my head wrapped around it, but thhe battery powered portability of it is pretty cool. 

What I have found with the Synthstrom (and the Novation Circuit) is that I need to manage a sample library. I never really had to bother with this before with my previous groove boxes. The Command Station in particular has a really robust percussion library that I have used for years. 

I have found the whole sample management process in general to just be a tedious mess. I bought the superb Samples From Mars master pack that was on sale over Christmas. Having to pour through the samples though to organize them and then load them onto the Deluge is just a truly frustrating process, and it isn't the fault of the deluge. I just don't enjoy sitting in front of the computer for hours on end listening to samples. 

I'm going to try and hunker down this week though and just get through it. I think once I get the sample library setup properly on the Deluge, I an hopefully never need to touch it again.

Synthstrom Audible Deluge: First Thoughts

I was lucky enough to strike a Synthstrom Audible Deluge a couple of weeks ago off of Reverb.com. The Deluge is a groove box, all in work music production workstation. Most of the music I create is with groove boxes. My E-MU Command Station and Korg EMX are also considered groove boxes. They have a sequencer combined with a synth engine that has multiple voices. 

Since the move in January I have been pairing down some of my gear. I sold off a number of pieces of gear and my core setup is now just the Command Station and EMX. Some consideration of those two have made me come to realize that I was able to accomplish just about all of the sounds and sequencing I needed with those. 

I also wanted to to begin building another music setup. If you recall, last fall I purchased the Novation Circuit and Mono Station. I found out that the Circuit was not a good fit for me, something which I go into detail about over on Youtube. 

I have had my eye on a Deluge for almost a year now. It is a boutique synth, so rather hard to come by and the initial shipment of units sold out quickly. 

The Deluge has flat out blown me away in these first two weeks, so much so that I am changing how I am putting together some of my music gear. It truly is a standalone groove box. The minimalist grid based interface is remarkably intuitive and there is no hard limit on the number of notes, the length of the sequences or the number of tracks it can produce. I have been often so frustrated with many other synths and their limitation of 64 steps in their sequencing. It also has a built in sequencer and two synthesis types. 

Now, the weakest link right now is probably the synthesis engine on the unit. It is pretty basic right now, but I hope that can be improved with some future software updates. One of the coolest things on the box though his that it is battery powered. It is also very small, about the length and width dimensions of a piece of paper. That means it is extremely portable. I can see myself taking this with me on planes or other long distance travel routes to get some music created on a pair of headphones. 

It is with that in mind that I really want to keep it as just a stand alone, portable box for creating on. 

My Command Station and EMX will continue to exist as they have much deeper sound palettes. The question though is what do I do with the Monostation? Do I keep it? Do I build a modular synth to go with it?   

Novation Circuit and Novation Circuit Mono Station - Second Thoughts

It has been a little over two weeks now with the Novation Circuits. I am having a good time with them, but I have quickly hit a wall with the learning curve. The quick jam sessions are fun, but taking the next step to actually try and create some songs are proving difficult for me. I think this is mostly due to me needing to actually learn the kits. I have gone through the quick start guides, but a full reading of the manuals is in order, especially since there have been numerous firmware updates to these things over the past year. 

I am already beginning to think about what sort of additional equipment I might want to add to these to build out the sound palate. A modular synth is enticing and I have seen several setups using one. 

The Roland Aira line looks like it could also be an excellent complimentary set of equipment for the Circuits.  

The Aira line not only has the looks, but possibly the interface for a sort of hands on performance aspect to what I want to do with these Circuits. 

The MX-1 mixer looks perfect for this sort of setup with 6 audio inputs, AIRA integration and live performance effects. Where I go from there is the real question. Do I need the TB-3 baseline synth? How about the System 1M for deeper synthesis, or perhaps the SP-404A for more percussion and sampling. 

I don't know where I will end up, but I think the next couple of months could be fun. 

Novation Circuit and Novation Circuit Mono Station - First Thoughts

It has been years since I have really purchased any new music hardware for my music setup. It is hard to believe that most of my equipment is 10+ years old now. About two years ago I was looking at some new hardware, but I was unable to find anything that I liked. I settled on an effects pedal to spice up the sounds of my Korg EA-1, and that has worked out great. 

I have still been wanting to try and find something different. I love most of the gear that I am working with, but at times, I find that it can be a bit cumbersome. What do I mean by that? Well, the Command Station is a wonderful sequencer as are all of the other synths that I have, but I often feel that I have to spend a lot of time trying to create the sounds before I can create the music. They don't necessarily lend themselves to improvisation. I also find myself getting fixated on the minutia of the sequencing.  That isn't a bad thing, but it does lead to instances where I end up not doing music for months because I look at the gear and see a "process" of several hours in an afternoon of noodling around without much process. 

I have wanted to try and find something that can provide me some "instant gratification" for quite some time. A box that I could instantly sit down in front of to get some notes playing and also make live-streaming more fun. I looked at the Korg Volca series and several other synths, but I decided to go with the Novation equipment for one primary reason. There is no screen. 

Novation's motto for these little boxes is something like "happy accidents"

This is exactly the type of gear I am looking for. Something to crank out some fun tracks on, where I don't have to worry about them being polished studio productions. I hope they can get me to play live more on Twitch. 

My first couple nights with the boxes has been fun. The interface is hard for my mind to digest and I am intentionally avoiding reading any sort of manual at this time. I hope to get them properly setup this weekend for some streaming and jamming. 

What is going to happen to my other gear? So, I think I am going to downsize quite a bit. I will keep my EMU Command Station, since it is the best sequencer ever made in my opinion. The sound engine on that is unique and quite good for ambient, something else I want to get into. Everything else might end up going. I think I am more excited to offload most of the equipment to allow me to purchase some effects or something for the Novation or EMU. 


New Music - The Streets of Whiterun


I have just realized that i have not posted some of the music that I have recorded over the past couple of months. I am currently working on an EP of remixes and cover songs. I am covering various film and video game scores that I have always enjoyed. the track here is called "The Streets of Whiterun" and it is from the Skyrim soundtrack, one of my favorite soundtracks of all time. 

I hope you guys enjoy this ambient rendition of the sound as the reverb slowly devours the song as the music progresses. 

GrooveboxSociety.com Officially Launches with its First Podcast

The GrooveboxSociety.com website has officially launched this past week. Our first podcast is officially up on the website and you can find it at the following link: Episode 1 - Welcome to GrooveboxSociety.com.

The podcast is also available on on all of your favorite podcast catchers

iTunes

Google Play

Stitcher

We have a lot of good things lined up for the podcast for the next couple of months, so please take a listen and if you are a musician or know any musicians who might be interested in submitting to the podcast, please feel free to send them to our submission page.



GrooveboxSociety.com - A new Project for GrooveBox Musicians


I am proud to be kicking off a new music project that I hope will be take off over the next several months. The GrooveboxSociety.com will be an online artist collective to showcase music and musicians creating with Grooveboxes and hardware synthesizers. 

Hardware synthesizers have experienced a renaissance over the past several years and there have been more interesting devices released recently than ever before. It is with this in mind that I hope to create a site that educate people on the tools and introduce them to the musicians using these tools. 

Our first major project is to launch a podcast to feature the community's music, establish the artist collective and to get our presence through a medium that can allow people to easily listen to and share our music. The audio podcast will also be a good way to also establish a means to develop interviews with the artists in our community, talk about and share those creative processes with listeners. 

Part of this journey is about the means and methods of production in addition to the music. 

I have attached some of the design sketches for the upcoming website here and you can find the video instructions to submitting to the Podcast at the link below:

I'm really excited that this site could take off.